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image: Architects Rudanko + Kankkunen | © all rights reserved
14
Originally published in airoots/eirut
The emerging economies of today – especially Brazil, India and Africa – are responding to the same impulses and imperatives as the post-planned city in Russia, US or Europe. The form that dominates much of the new urbanscape is what is often misrepresented as slums or the informal city. We refer to this as the natural city. The natural city is a urban cyborg, in a constant process of simultaneous decay and regeneration. It is neither pure nor perfect. Often polluted, corrupted and toxic itself, it is simply a manifestation of certain irrepressible processes of urban growth. It flourishes anywhere planning fails.
Originally published in Spatial Agency
Atelier-3 was founded by the Taiwanese architect, Hsieh Ying-chun (謝英俊), who moved his studio to rural Taiwan in the wake of the devastating earthquake of 1999. The earthquake prompted a complete rethink of architecture and construction in Taiwan and resulted in the New School Movement, which began with the rebuilding of destroyed schools using vernacular techniques. Especially affected by the earthquake were remote aboriginal communities who were living in ecologically sensitive areas with a rich cultural heritage that was already under threat.
Although architects and planners have addressed informal settlements, or favelas, for over sixty years, it is only recently that there has been a shift in the paradigm. Following a long history of tabula rasa, public housing, self-help, and sites-and-services schemes, current approaches to the favela have evolved into strategies characterized as urban acupuncture, aiming to minimize displacement and improve the conditions in the area by focusing on the aspects most absent in the settlement: infrastructure, public space, and public equipment. We are now witnessing spectacular libraries in depressed neighborhoods, gondola systems in marginalized areas, and museums in informal settlements. It seems as though we have returned to the notion slums of hope, no longer vilifying informal settlements, but viewing them as integral in the development of the city......
Originally published in UrbanPhoto
Like most Cantonese walled villages, Nga Tsin Wai is divided by a grid of narrow lanes. The temple sits at the opposite end of the village from the gatehouse. Houses were typically made of stone, with tile roofs, but some were modified in recent decades with sheet-metal additions, air conditioning units and outdoor kitchens. The entire village covers a single acre and consisted of 100 houses before demolitions began in 2007.
Originally published in Monu#12 & Mammoth
For the #12 issue, MONU (Magazine on Urbanism) called for entries which "explore how people in the real estates business perceive and conceive cities".
Mammoth's contribution to the issue, "The Shelter Category", suggests that the primary function of the home in America is, ironically, not shelter but wealth creation, and use the Home and Garden Television Network as a vehicle to investigate and critique this culture of 'equity urbanism'.
Originally published in MasContext
In Farmland World, speed is a catalyst for reconfiguring the relationship between the city, the rural landscape and the animal/machine hybrids that cultivate land. Capitalizing on both recent investments in high-speed rail infrastructure and the plentiful subsidies for farming, the network of resorts combines crowd-sourced farm labor with eco-tainment. The project received a second runner-up in the Animal Architecture Awards.

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